Grief is the natural response to the death of a loved one. When you experience the loss of someone, it can be hard to figure out what the best way is for you to cope with this tragedy. Grieving people will do many different things in order to find peace and comfort again. This essay discusses the ways that grief management professionals recommend in order for grieving people to heal themselves after the loss of a loved one.
The face on the photo is of a young man who looks similar to Vinod; he has the same keen eyes, huge brows that descend into a V, and so forth. However, this boy’s features are puffier, wider, mushier than those on the other boy. “They appear heavier after they’ve been in water for some time.” The bones underneath the skin had broken on their first day of school at Mukherjee (497). This example demonstrates how Bharati Mukherjee uses imagery, irony, and symbols to express the grieving process of people following a horrible incident in “The Management of Grief.”
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The plane vanished. Air India 182 took off on June 22, 1985 with 329 passengers on board. 280 passengers were Indians living in Canada who boarded the flight. Mr. Singh checked in his luggage for the flight one hour before take-off, but he did not show up. When Air India 182 went missing from radar, air traffic controllers heard a popping noise before it disappeared. The plane was reported to have been destroyed about an hour after. While the plane was 31,000 feet in the air, a bomb discovered in the luggage hold exploded. The debris came down in water 110 miles off Ireland’s coast and was located at a depth of 2000 meters.
The bombing of the SS United States on July 8, 1946, claimed the lives of 19 crew members and 307 passengers, including 82 children. There were three survivors from the explosion and crash, but they were unable to survive the freezing water and subsequently died. This disaster had a significant influence on Mukherjee’s life, thoughts, and emotions in “The Management of Grief.” Many people’s lives were altered as a result of this tragedy, including Bharati Mukherjee’s, and during an interview, she said, “We spoke with all of the terrorist cells, including one with the individual who financed the bombing and was just recently apprehended.”
We spoke to the bereaved as well. In Canada, the book was a bestseller in the nonfiction category. For two years, we were under death threat. When I sat down to write ‘The Middleman and Other Stories’ as a collection of stories about Diaspora,’ The Management of Grief’ flowed out in one sitting. It was a very sad tale to tell. If I hadn’t left Canada for the United States five years previously – that’s the plane we used to fly to India; it was the first after school closing – I would have been on that flight; that’s when I lost my friend.” (Weich interview) Bharati Mukherjee became inspired to write this story for many reasons.
Maryam, like Shaila, was born in India and suffered the same discrimination as a minority there. She too lived in Canada and witnessed for herself how the community looked down on her because she was Indian, just as Shaila did. Because she was born in India, Maryam understands several religious customs and their tough way of life, much like Shailah did. The tragedy of flight 182 had an impact on Mukherjee’s and Shailah’s lives as well; it was her people, family, friends, and neighbors who perished that day. Imagery is critical to a narrative’s success; it maintains the reader’s interest at all times by providing vivid detail.
Throughout Shaila’s Everyday Life, Mukherjee employs figurative language. The first example is given at the start of the essay. When reading about a certain event in Mukherjee’s narrative, readers might believe that they are taking part in the tale with Shaila. “But one has to debate with a man in uniform. His face is covered with large boils. As we argue with him, his boils grow and glow with perspiration… I’m well aware that my parents, who are elderly and diabetic, are waiting for me in an overheated parking lot.” (Mukherji 497) Underlined meanings are used to portray subtle irony.
The comic irony isn’t “point-blank,” as the author makes it clear by dropping small hints. Shaila discusses her and her family’s decision to move to Canada in order to avoid religious and political issues that were troubling them, only to become victims of those very problems. When they lived in India, they faced additional religious and political concerns than before they moved. Mukherjee also employs symbols to assist the reader understand the story’s theme. I have no idea where this trip I’ve begun will end or which way I’ll go.
I set the box on a park bench and began walking. “I was walking down the street when I felt compelled to walk into a store and buy something. As soon as I reached into my bag to pull out my credit card, though, she vanished!” (Chopra 11) The package she leaves on the park bench is a symbol for all of her responsibilities. When she realises it’s time to move on with her life, an epiphany occurs. She hasn’t heard from her missing family in weeks; now that they’ve contacted her again, she’s ready to let go of the burden and start over. “Your time has come, go, be brave. ” (Mukherjee 503) Hitmanhart408 complained, “I thought that the ‘Management of Grief’ was a very dull short story. Overall, it didn’t appeal to me and just seemed to drag on for a long time.
“However, sometimes I was perplexed when Kusum, her buddy, spoke as I wasn’t sure if it was Kusum or Mrs. Bhave. ” (hitmanhart408 1) “I believe she has done an outstanding job and that her work has been bold, courageous, and honest. I disagree with the notion that this narrative is dull and dragged on; for me, it was quite interesting and moving; I wanted to continue reading. However, despite my agreement that it might be difficult to determine who is speaking at times due to Pam and Kusum.
Racism is a problem in every country, and it is dealt with on a daily basis. Many critics feel that Mukherjee’s work is exploitative of a fad in postcolonial literature. The clash of old and new worlds in Mukherjee’s writing has lead to much bloodshed. While most critics do not believe that Mukerji’s view is hopeless, they do think she has her own style and message. (Mukherjee web) Racism exists everywhere, and people confront it on a daily basis.
More people would be able to understand and accept all humans if more of his publications were read. To illustrate the grieving process of individuals during a tragic event, Bharati Mukherjee employs pictures, irony, and symbolism in “The Management of Grief,” which details the death of family members and loved ones.
Mukherjee was inspired by both personal and institutional racism when she first arrived in Canada, as well as the Air India Flight 182 disaster, where she lost an old friend, and where she herself may have been killed if not for moving to Canada 5 years previously. She’s a very active writer who provides a lot of detail in many of her stories, making the reader feel like they’re right there.
In “The Management of Grief,” Mukherjee is very good at incorporating irony in little doses. Shaila Bhave and her family move to Canada to escape religious and racial problems in India, but when they relocate there is more conflict surrounding them than before they left. It’s harder to discover symbols in her tales because she frequently uses imagery rather than words to express ideas. When symbols are discovered, though, they are genuine and moving. The odd box that Shaila leaves on the park bench at the conclusion of the narrative is not a real box (Figuratively speaking).
It is a sign that her burdens have been lifted from her shoulders once she decides to move on with her life and let go of the past. Some people may find Mukherjee’s work dull and erratic, but most reviews agree that she is a daring writer who “stepping out of the box” throughout much of her novels. Mukherjee combines all of her ideas and thoughts into a compelling narrative about how the grieving process varies across cultures and how, at their deepest levels, everyone has a darkness that makes it impossible not to grieve in their own way.
I was surprised to learn about the various responsibilities that individuals perform during a period of despair. The plane crash was a horrible tragedy, and “the management of grief” was not an ambition anyone desired to achieve. It is perhaps the most difficult phase in life to accept the loss of a loved one. Shaila handled her family’s deaths well because she knew she wasn’t alone. She also had to go through stages such as grieving for herself and others as well as coping with her suffering. Shaila, unlike Kusum, had to keep her cool during this trying period in order to be strong for herself and others. Shaila never displayed any compassion for anybody else. She knew that if she maintained her optimism, she would eventually be ready to start a new life.
Shaila doesn’t necessarily handle her loss of her brother any better than anyone else, but she is convinced that her future holds many more blessings and challenges. Pam was less understanding of the loss of her mother and husband than Kusum was. Despite the fact that Pam was still living, Kusum saw a void in her life. It was easier for Kusum to give up rather than to try to manage her sadness. She couldn’t feel the faith or comprehend God’s plan. Shaila isn’t any different from other people in that she believes in the goodness of life after death; it’s just that she is more confident in its presence.
Anyone may overcome the challenge of grieving. To manage is to retain control. If a person is ready to take charge in their life, they will be able to solve their problems in a healthier way. Grief is characterized by sorrow, grief, misery, and pain. The heartaches would only be little bumps on the road if people focused on the optimism with each trip they make.
Shaila’s behavior demonstrated her to be a strongly determined individual. She was able to take a disturbing scenario and transform it into something new. She was searching for a new road to travel down. Shaila’s family journey had come to an end, but she remained certain about her ultimate goal.
Let us begin by acknowledging that Bharati Mukherjee’s short story “The Management of Grief” is the work in question. She is an excellent American author who received a National Book Critics Circle Award in 1988 for her book “The Middleman and Other Stories.” The stories are well-known for their engaging plots, well-structured tales, and author’s writing style. We must recognize that the tale under consideration is a fantastic piece of writing that demands our attention.
It’s the only one among her books on immigrants in Canada. The catastrophe that stems from the 1985 terrorist bombing of an Air India jet, which was mostly occupied by Indian immigrants living in Canada, is examined in “The Management of Grief” by Mukherjee. The key takeaway from Bharati Mukherjee’s “The Management of Grief” essay shall be defined.
Short Story Analysis: Critical Review
The narrative is told in the first person, which adds drama and realism. It’s a mix of narration and conversation. The language is full of precise terms like as “traditional Indian clothing” and “panipuri.” This establishes a genuine atmosphere and makes understanding the theme easier for the reader. We get the impression that we are part of their ethnic immigrant community in Toronto. As a result, the scene takes place in Toronto’s Indian community reeling from a tragedy.
The word “Manage” may be found in the title, and thus we can infer that it is suggestive. “The Management of Grief” implies there is such pain that everyone must endure at some point. It is the death of our loved ones, people who embodied all good things about life for us, people who were the heart of our existence.
As for the “The Management of Grief” characters, their problem is to accept and manage this grief effectively while they reside in a foreign nation with distinct customs and mentality. The tale’s message may be interpreted as follows: each person has the freedom to choose how to act in life. The most essential thing is inner peace, which will come sooner or later regardless of how much suffering we have experienced. We must look for answers inside ourselves rather than looking to our nation’s traditions and customs.
The tale is told in the first person, as we have previously said. Shaila Bhave, a Hindu Canadian who recognizes that both her husband, Vikram, and her two sons were on the cursed flight, is the storyteller and protagonist at the same time. As a result, events move around her. Shaila conveys her anguish through Shaiila. It’s only natural that we might well begin to cry while reading. When it comes to the other characters of the narrative, we should mention Kusum, who is opposed on Shaila. Kusum observes all traditional customs and follows the morning ritual, while Shaila rejects traditional beliefs because she is a woman from the new world.
According to Josna Rege, “Each of Mukherjee’s recent female protagonists is a woman who continuously “revises herself” (399). Shaila is an outlier in this respect. She is a one-of-a-kind woman who differs from other Indian women. We would characterize her as an American or European woman: powerful, struggling, brilliant, with a broad range and intricate interior life.
“The Management of Grief”: Summary
Indian values are introduced on the first two pages. The very start, with the sentence “A woman I don’t know is boiling tea in my kitchen,” proves it: “It becomes clear from the outset, from the opening sentence: “A deadening quiet seeps into her. . . ” (Selvadurai 91). It’s evident that the teller of this tale depicts death and sorrow in great detail using words like “monstrously pregnant” (Selvadurai 91) and “deadening silence” (Selvadurai 92).
We can see that among all those people who have come to assist, Shaila wants to scream, and the atmosphere becomes more and more tense. When we met Pam in this part of the tale, her younger sister had flown instead of her, Kusum’s daughter, who stayed alive because her mother and older sister misunderstood each other. We witness a disconnect between Shaila and her mother here owing to their different backgrounds. She is closer to Shaila than she is to her mother. Shaila’s meeting with a representative of the provincial government, Judith Templeton, in the progress of action that covers the major portion of the text, can be seen. Shaila goes to Ireland’s coast to view that very location where Air India Flight 182 was shot down.
She is also accompanied by Kusum and other mourners, all of whom are grief-stricken but must yet identify the corpses. The atmosphere here is quite sad. The mother cannot accept the truth, and she still believes that she did not lose her family because the boy in the photo does not resemble her son and he is a good swimmer, therefore he could be alive. It’s tough to be a witness to a woman who has lost her children. Finally, we find out that Shaila decided to return to India, and she learned that she would have to return to Canada. This is the conclusion of the tale. The woman has made the correct decision despite her uncertainty and desire to seek counsel from her family.
“The Management of Grief”: Analysis Conclusion
To conclude, we may say that Bharathi Mukherjee’s “The Management of Grief” is a tragic and melancholy narrative, but it leaves the impression of an open door at the end, which is the story’s bright note. A person who can control her sadness will never be lonely.
“The Management of Grief” is a novel based on a true event, which took place in 1985 with the Air India Flight 182 bombing. This tale illuminates the dramatic, as well as the protagonist’s development throughout the narrative, to revealing her despondency. “Management of Grief,” while being somewhat ironic, is straightforward. In this Bharti Mukherjee shows how the attack affects Shaila Bhave and Kusum, and how it affects them physiologically and emotionally.
The primary reason for Bharti Mukherjee to write “The Management of Grief” was to try and understand and demonstrate the devastation, as well as its significance, and how it impacted people physiologically and emotionally. Furthermore, society provides people with high-tech gadgets and plans for thinking about such a comprehensive human learning experience. The phrase “The Management of Grief” sums up the book’s basic themes: the author has described the sort of sadness that comes with any type of human knowledge acquisition.
Shaila Bhave’s family, as well as Kusum’s, was killed in the subway blast. Shaila and Kusum differ on the topic of innocence and innocence. With her husband and daughter dead, Shaila is dealing with a lot of emotional pain. Regardless of how bad things get for her, she refuses to give up on life and wishes to die. Kusum follows a different path than Shaila in terms of behavior; she succumbs to her desire for a lifetime dedication to her late spouse by not marrying anyone.